Saturday Jan 22nd - "The Last Charge" by Bean Gilsdorf - Opening Reception
Mission: Comics & Art presents: The Last Charge by Bean Gilsdorf.
Opening Reception: Jan 22nd 6-9pm
Showing: Jan 22nd Feb 27th
Mission: Comics & Art
3520 20th St. Suite B
San Francisco, CA
Originally from Philadelphia, and currently completing her MFA at California College of the Arts, artist and writer Bean Gilsdorf’s work focuses on history as process and narrative creation. Using appropriated imagery, she writes her own deliberate and wholly self-aware personal re-framing. In her own words:
“Historical accounts often unfold gracefully in the "one damn thing after another” fashion of conventional timelines; yet the actual events on which they are based overlap, pile up, obscure, and distort. The study of history may be a search for clarity, but in the end what we have is less of a tidy explanation than a melee of names, dates, and costumes, with some blood splashed around for effect. Perhaps the most trenchant commentary on history comes from Ambrose Bierce, who describes it as, “…an account mostly false, of events mostly unimportant, which are brought about by rulers mostly knaves, and soldiers mostly fools.”
Recently, I’ve been using imagery from the Civil War as a way to approach the glut of information that complicates a clear view of the past. The Civil War was the first conflict to be documented by traditional forms such as printing and painting, and also by the emerging technology of the photograph. As such, it represents a blend of fact and fiction—tall tales, first-person stories, and propaganda all manufactured and presented as the true account—that correlates to the construction of history from its inception right up to our present age.“
“Historical accounts often unfold gracefully in the "one damn thing after another” fashion of conventional timelines; yet the actual events on which they are based overlap, pile up, obscure, and distort. The study of history may be a search for clarity, but in the end what we have is less of a tidy explanation than a melee of names, dates, and costumes, with some blood splashed around for effect. Perhaps the most trenchant commentary on history comes from Ambrose Bierce, who describes it as, “…an account mostly false, of events mostly unimportant, which are brought about by rulers mostly knaves, and soldiers mostly fools.”
Recently, I’ve been using imagery from the Civil War as a way to approach the glut of information that complicates a clear view of the past. The Civil War was the first conflict to be documented by traditional forms such as printing and painting, and also by the emerging technology of the photograph. As such, it represents a blend of fact and fiction—tall tales, first-person stories, and propaganda all manufactured and presented as the true account—that correlates to the construction of history from its inception right up to our present age.“
